Theoretical/Academic Programme 1996-1997,
- AC1/7.
- Ffeil
- 1996.
Rhan oBrith Gof Archive,
Details of the theoretical/academic programme of work for 1996-1997, including completed and forthcoming work.
Theoretical/Academic Programme 1996-1997,
Rhan oBrith Gof Archive,
Details of the theoretical/academic programme of work for 1996-1997, including completed and forthcoming work.
Theoretical Archaeology Group 15th Annual Conference,
Rhan oBrith Gof Archive,
Correspondence and papers relating to the Theoretical Archaeology Group 15th Annual Conference, at which Clifford McLucas and Mike Pearson gave presentations, including conference information, notes and copies of their presentations.
Rhan oBrith Gof Archive,
Copies of lectures and a conference interview by Mike Pearson relating to the subject of Theatre/Archaeology.
Theatre/Archaeology: Which Underpants,
Rhan oBrith Gof Archive,
A copy of a lecture given at the EAA (?European Association of Archaeologists) Meetings Ljubljana.
Theatre practice and theory in Wales,
Rhan oBrith Gof Archive,
Correspondence and papers relating to a conference at Gregynog and meeting held at Aberystwyth to discuss theatre practice and theory in Wales; together with correspondence and papers relating to the organisation of another conference at Aberystwyth the following year and the establishment of a forum for debate following on from these meetings.
Rhan oBrith Gof Archive,
A [lecture] on theatre archaeology by [Mike Pearson].
Theatr Institut Nederland article,
Rhan oBrith Gof Archive,
Correspondence and papers relating to an article by Mike Pearson and Clifford McLucas regarding the 'Specifics of Site' for a Theatr Institut Nederland publication.
Rhan oBrith Gof Archive,
Copies of the Seven Architectures booklet by Clifford McLucas, which appears to relate to the structure and scenography of the production.
The Pointing Finger and the Moo . . . .Wales,
Rhan oBrith Gof Archive,
Papers relating to the Pointing Finger and the Moo. . . .Wales multimedia presentation, given at the Pacific Coast Conference on British Studies at Stanford University, California, including a stage plan showing the technical set up, conference information and copies of the presentation, with an earlier version which was given at the "Performances, Places and Pasts" Centre for Performance Research Conference.
The Host, the Ghost and the Witness,
Rhan oBrith Gof Archive,
A copy of a lecture/presentation by Clifford McLucas regarding the work and productions by Brith Gof.
Rhan oBrith Gof Archive,
Copies of an article by Mike Pearson and Clifford McLucas: The Host and the Ghost Brith Gof's Large-Scale Site-Specific Theatre Works, which mainly relates to Haearn.
Rhan oBrith Gof Archive,
Papers relating to 'The Host and the Ghost' publication, including mock-ups of some sections of the publication, preparatory and design papers and copies of the publication proposal.
Heb deitl
The Host and the Ghost mock-ups,
Rhan oBrith Gof Archive,
Mock-ups of sections for the proposed 'The Host and the Ghost' publication.
Rhan oBrith Gof Archive,
Papers relating to the First Five Miles production including an information flyer and photographs.
Heb deitl
The Culturally Located Hybridised Non Object,
Rhan oBrith Gof Archive,
Copies of seminar and multimedia presentation about some recent concerns in the theatre and media work of Brith Gof given to staff and students at the University of Wales, Lampeter.
Rhan oBrith Gof Archive,
Draft and final copies of the texts and scripts for the Haearn production, together with notes and details regarding themes and imagery, and a production structure and [scenario].
Texts, scripts, performance and videos,
Rhan oBrith Gof Archive,
Papers relating to production texts, scripts, performance and videos, including draft extracts of scripts and texts and a draft copy of the full script; notes regarding the script, ideas, themes, and performance/show, draft production [scores], and a list, memo and plans regarding the video clips to be shown; together with a project timetable and a draft production information booklet.
Texts, scenario and other documents,
Rhan oBrith Gof Archive,
Lis Hughes Jones' notes relating to the Pandaemonium production including a scenario, production texts, research material, notes regarding the music score, [song lyrics] and notes on actions; together with Lis Hughes Jones’ workbook containing general production notes, and notes on music, verses/lyrics, and production texts.
Rhan oBrith Gof Archive,
Texts, some of which were taken from Henry V by Shakespeare, work by William Blake and a discourse by Richard Price, used during the production and as screen texts.
Rhan oBrith Gof Archive,
A collection of quotes and texts for the Los Angeles production.