Showing 1987 results

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Kyffin Williams Archive
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[Waves & low headland]

[Waves & low headland]

A rectangular canvas of waves breaking against a low lying headland on the left of the picture. A strip of mountainous land stretches along and over the horizon.

[Waves & low headland II]

[Waves & low headland II]

An unframed rectangular painting photographed on an easel, presumably in the artists studio. It portrays waves breaking against a low lying headland on the left of the picture. A strip of mountainous land stretches along and over the horizon.

[Waves breaking on rocks]

[Waves breaking on rocks]

An unframed square canvas of waves breaking on rocks in the middle distance under a blue-grey sky. The foreground comprises calmer water.

[Waves breaking over reef, Trearddur]

[Waves breaking over reef, Trearddur]

A framed oil painting of a coastal view. The painting has been photographed on an easel with a Kodak Colour Control Patch and a Gray Scale card visible in the bottom of the frame.

[Well dressed elderly man]

[Well dressed elderly man]

A well dressed man standing on a dirt track.The same man is the subject of 4689/151 & 4689/152. It could possibly be Lias Garmon Owens, mentioned on page 145 of 'A Wider Sky - "On the dirt road at Lle Cul I drew Lias Garmon Owens. The wind ruffled his white hair and so distracted me..."

[Welsh Blacks at Aberffraw]

[Welsh Blacks at Aberffraw]

An unframed painting of cattle grazing beneath a pale yellow sky. The transparency has been mounted the wrong way round in comparison to how the image is printed in 'The Land & the Sea'.

[Welsh Blacks at Aberffraw II]

[Welsh Blacks at Aberffraw II]

An unframed painting of cattle grazing beneath a yellow sky. The transparency has been mounted the wrong way round in comparison to how the image is printed in 'The Land & the Sea'. The transparency as a whole has a green cast.

[Welsh Farmer]

[Welsh Farmer]

Drawing, in ink and watercolour, of a farmer carrying a stick and wearing a sack over his shoulders. The drawing has been removed from a sketchbook as evidenced by the perforations on the left hand side.

[Welsh landscape]

[Welsh landscape]

A framed painting photographed in the artists studio. It appears to be of a hillside with sheep grazing, viewed from a distance.

[Welsh Landscape II]

[Welsh Landscape II]

An attempt to photograph a framed painting of a landscape in the artists studio. The painting, square in format, looks from one side of a valley to the other.

Welsh Views

Two collections of photographs of Welsh views divided as to format. Llyfr ffoto 4685 contains mainly black and white photos with some more recent colour prints. Llyfr ffoto 4686 contains 35mm slides. The overwhelming majority of photographs are of views in Anglesey and Snowdonia.

[Welsh Views I]

63 personal & professional photographs by JKW of Welsh views, mainly black and white. Some may have been used as aides de memoire for later paintings. Also present are a small number of b&w prints of the Lake District from ca. 1960 and a large format card mounted photo ca. 1890 showing a view of the Menai Straits captioned 'Home of Thomas Williams & family View from Craig-y-don, Anglesey' by Thos. Mills, Bangor.

[Welsh Views II and miscellaneous]

Personal & professional photographs by KW of Welsh views, mainly mounted 35mm transparencies. Most of these appear to have been taken in the months preceding his trip to Patagonia. They may well have served the purpose of familiarising himself with his camera. Also a small number of images of works of art by other artists collected by Kyffin Williams.

Results 1901 to 1920 of 1987