- Llyfr Ffoto 4689/41.
- Item
- 1968.
Part of Kyffin Williams Archive
Farmer Ceri Ellis and family outside their house, partly obscured by a heavy shadow. See pages 144-45 of 'A Wider Sky' (Gomer, 1991) for further details.
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Part of Kyffin Williams Archive
Farmer Ceri Ellis and family outside their house, partly obscured by a heavy shadow. See pages 144-45 of 'A Wider Sky' (Gomer, 1991) for further details.
Part of Kyffin Williams Archive
Lock gates and irrigation ditch at Ceg y Ffos, Dyffryn Camwy. See p158 of 'A Wider Sky' (Gomer 1991) for further details.
Part of Kyffin Williams Archive
Another view of the lock gates at Ceg y Ffos. See p 158 'A Wider Sky' (Gomer, 1991) for a further exploration.
Part of Kyffin Williams Archive
A view of the exterior of Kyffin's studio at Cefn Gadlys, Llansadwrn as seen from the driveway. The studio, which proved unsuitable, is discussed on page 226 of 'A Wider Sky' (Gomer, 1991).
Part of Kyffin Williams Archive
A view of the exterior of Kyffin's studio at Cefn Gadlys, Llansadwrn. The studio, which proved unsuitable, is discussed on page 226 of 'A Wider Sky' (Gomer, 1991).
Cefn Coch Farm, Llansadwrn, nr. Beaumaris : from where the Williams (Kyffin) sprang.
Part of Kyffin Williams Archive
A view of Cefn Coch farm from across a meadow in which sheep are grazing.
Cefn Coch Farm, Llansadwrn, Anglesey : Original home of Kyffin Williams family.
Part of Kyffin Williams Archive
Farm outbuildings as seen from a nearby road.
Part of Kyffin Williams Archive
Small caves in the limestone cliffs at Puerto Madryn. Kyffin Williams mentions a trip to Puerto Madryn on p.155 of 'A Wider Sky' (Gomer, 1991)
Part of Kyffin Williams Archive
A small round cave just above the present day beach level. Believed to be one of the caves excavated for shelter by the earliest Welsh settlers on their arrival in 1865. See 'A Wider Sky' (Gomer, 1991) p124.
Part of Kyffin Williams Archive
A framed oil painting photographed on an easel with a Kodak Colour Control Patch at the top. On the right hand side a coat is hanging on a wall, to the left a field with two cows seen through a doorway. In the distance is a range of mountains.
[Cattle grazing, perhaps Rhoscryman]
Part of Kyffin Williams Archive
In the foreground cattle grazing in a meadow beyond which are a farm and outbuildings. Beyond them is the sea. The sky, overcast, dominates the top two thirds of the painting.
[Cattle grazing under a rocky outcrop]
Part of Kyffin Williams Archive
Two cattle with white faces grazing in a field below trees in the shadow of a rocky outcrop.
[Cattle grazing below a rocky outcrop II]
Part of Kyffin Williams Archive
A painting of two white faced cattle grazing in a field below a rocky outcrop.
Part of Kyffin Williams Archive
Cattle grazing in the foreground amongst rushes and buttercups. Beyond them is a lush valley floor divided into a patchwork of small fields. Behind them is a steep, partially wooded valley side.
Part of Kyffin Williams Archive
Three cattle grazing in a field. In the distance are mountains, presumably Snowdonia.
Part of Kyffin Williams Archive
In the foreground Welsh Black cattle graze in a field, in the middle distance is a cluster of farm buildings overlook the sea, into which a red sun is setting.
Part of Kyffin Williams Archive
Worms eye view of two cows silhouetted against a deep blue sky.
Part of Kyffin Williams Archive
A worms eye view of two cows silhouetted against a deep blue sky.
Cathedrale de Chartres : Portail sud, jugement dernier /
Part of Kyffin Williams Archive
A commercially produced slide of detail above the south door.
Publi Slides.
Cathedrale de Chartres : Le portail royal /
Part of Kyffin Williams Archive
A commercially produced slide of the main entrance into the cathedral.
Publi Slides.