- Llyfr Ffoto 4695/313.
- Item
- [ca.1990]
Part of Kyffin Williams Archive
An unframed watercolour of a sunset on the coast at Penmon. Photographed with a Kodak Colour Control Patch at the top.
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Part of Kyffin Williams Archive
An unframed watercolour of a sunset on the coast at Penmon. Photographed with a Kodak Colour Control Patch at the top.
Part of Kyffin Williams Archive
A flat grey sea above which a sliver of sun is about to drop below the horizon. On the left are craggy rocks.
Part of Kyffin Williams Archive
A flat grey sea above which a sliver of sun is about to drop below the horizon. On the left are craggy rocks.
Part of Kyffin Williams Archive
A framed oil painting of a sunset with low cliffs depicted on the left of the frame and a peninsula on the horizon.The painting has been photographed with a Kodak Colour Control Patch and a Gray Scale card visible in the bottom of the frame.
Part of Kyffin Williams Archive
Part of Kyffin Williams Archive
A red sun above a calm grey-brown sea. There are craggy rocks on the left hand side of the image.
Part of Kyffin Williams Archive
The sun about to set.
Part of Kyffin Williams Archive
A calm sea with a red sun just above the horizon, with cliffs and rocks on the right hand side.
Part of Kyffin Williams Archive
An unframed watercolour of a sunset over the sea with a chain of hills visible on the horizon. Composition is very similar to 'Sun Over the Bay, Llanddwyn' which is reproduced in 'The Land & The Sea' (Gomer, 1998).
Part of Kyffin Williams Archive
An unframed oil painting of a sunset with a coastal farm in the middle distance, photographed on an easel with a Kodak Colour Control Patch at the top.
Part of Kyffin Williams Archive
A sunset, looking over Red Wharf Bay towards Benllech.
Part of Kyffin Williams Archive
Cnicht bathed in sunshine and viewed from a narrow steep sided gulley, the right hand side of which is in shade.
Part of Kyffin Williams Archive
The lack of a frame or border of any kind suggest that this may be a photograph of detail from an as yet unidentified painting. The painting has not been photographed with a Kodak Colour Control Patch ora Gray Scale card.
Part of Kyffin Williams Archive
An unframed oil painting of a rocky coastline being pounded by surf under a dark sky. The painting has been photographed on an easel with a Kodak Colour Control Patch and a Gray Scale card visible in the bottom of the frame.
[Sycamore sapling and stone wall, Brynrefail]
Part of Kyffin Williams Archive
A sycamore sapling sprouting up from the shelter of a stone wall, Moel Eilio visible in the distance.
Part of Kyffin Williams Archive
The sitter is wearing a red coat and facing slightly to the left, his head inclined towards his left shoulder in order to look directly at the artist.
Part of Kyffin Williams Archive
The sitter is wearing a red coat and facing slightly to the left, his head inclined towards his left shoulder in order to look directly at the artist.
Part of Kyffin Williams Archive
Tabernacl chapel as seen from the front
Part of Kyffin Williams Archive
Manuscripts and typescript copies, including drafts and preparatory notes, [1954x2000], of talks and addresses by Kyffin Williams. Most are undated and untitled, and mainly discuss themes relating to art including his own work and experiences as an artist. Some scripts could possibly be drafts of articles. Included is a typescript copy of his address delivered at the Annual General Meeting of the North Wales Association for the Arts, 1972; and drafts of the lecture, ['A Painter in Gwynedd'], given to the Honourable Society of Cymmrodorion, 5 May 1988, and published in the Society's Transactions, 1988. Notes on Vincent van Gogh are partially written on the reverse of a script of an interview between John Ormond, Kyffin Williams and Jack Jones. A limerick and biro sketch are included on the back of a Terston notepad amongst the miscellaneous preparatory notes.
Part of Kyffin Williams Archive