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Kyffin Williams Archive
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Artworks 6

Album bound in black and with black pages containing 27 photographs / reproductions of works by Kyffin Williams. Also four photos of him in his studio ca.1965.

Artworks 5

Album containing 5 photographs of early works by Kyffin Williams. Three are dated in pencil on the album page 1943, 1944, 1946. Two are undated. Many others have been removed at some point prior to arrival at NLW and may be elsewhere in the collection. Two of the artworks are landscapes, one a study of a horse and two are portraits including that of Gwilym Owen from 1944.

Artworks 4

Mounted 35mm transparencies of artworks by JKW along with 91 larger format transparencies. (Professional).

Artworks 3

Mounted 35mm transparencies of artworks by JKW.

Williams, Kyffin, 1918-2006

Artworks 2

Loose b&w photographs of artworks by JKW (Professional). Most do not have a photographers credit on the reverse, consequently copyright holders uncertain in these cases. Many have evidently been used in various publications. There is some duplication.

Artworks 1

Loose colour photographs of artworks by JKW (Professional). None of them identify the photographer(s) responsible. Very few are dated. The artworks depicted cover the whole breadth of his artistic career and include portraits, landscapes, oil paintings, watercolours, posters etc. Most of the artworks depicted are available elsewhere in the collection.

Articles and reviews,

Ink drafts, typescript copies, photocopies, and publications containing articles by Kyffin Williams including an entry, [?1982], on Charles Tunnicliffe for the Dictionary of National Biography; 'An appreciation' of Brenda Chamberlain, Mabon 5 (Spring 1972); a tribute to Allan Gwynne-Jones, [1982]; 'Images of Y Wladfa' in Planet 89 (October/November 1991); 'Books as works of art' in Book news from Wales (Spring 1992); and a review of The man who loved the sun by Jack Raymond Jones (London, 1966).

[Apples]

[Apples]

A branch of an apple tree heavily laden with apples. The tree appears to be in an orchard.

[Animals in the snow]

[Animals in the snow]

Animals presumed to be horses and cattle grazing in a snow covered field. Beyond them loom mountains and a dark sky. The painting has been photographed on an easel with a Kodak Colour Control Patch visible in the bottom of the frame.

[Anglesey Farmhouse IV]

[Anglesey Farmhouse IV]

A small farmhouse and a stone outbuilding photographed from the rear. The farm has a chimney at either end and a telephone line running to a nearby telegraph pole, suggesting it is occupied.

[Anglesey Farmhouse III]

[Anglesey Farmhouse III]

A small farmhouse with a chimney at either end and a stone outbuilding photographed from the rear. The farm has a telephone line running to a nearby telegraph pole suggesting it is occupied. In the foreground is a stone wall in a state of disrepair.

[Anglesey Farmhouse II]

[Anglesey Farmhouse II]

A small farmhouse with a chimney at either end and a stone outbuilding photographed from the rear. The farm has a telephone line running to a nearby telegraph pole suggesting it is occupied. In the foreground is a stone wall in a state of disrepair.

[Anglesey Farmhouse]

[Anglesey Farmhouse]

A small farmhouse with a chimney at either end and a stone outbuilding photographed from the rear. The farm has a telephone line running to a nearby telegraph pole suggesting it is occupied.

[Anglesey Farmer II]

[Anglesey Farmer II]

A watercolour head and shoulders portrait of an elderly farmer wearing a blue jacket and grey-brown flat cap looking quizzically at the artist.

[Anglesey Farmer]

[Anglesey Farmer]

A watercolour head and shoulders portrait of an elderly farmer wearing a blue jacket and grey-brown flat cap looking quizzically at the artist.

Anglesea [III]

Anglesea [III]

A framed and mounted pencil drawing of a long horned bull, not by Kyffin Williams and probably C19th.

Results 1921 to 1940 of 1987