A barn in the centre of the frame in the middle distance. On the right is a stand of poplars. This is the barn off Avenida John D Evans, Trevelin photographed in 4689/196 & 4689/198. It is also the barn mentioned in 'A Wider Sky' on page 194 "...and so I continued until, one day, I drew onto a canvas an old wooden barn that stood off the Avenida John D Evans. I started to paint and as I did the colours became grey and dull. It was my forty-fifth canvas and I knew the spell was broken. I never painted another picture of Patagonia."
An unframed oil painting of a mountain landscape with a boulder strewn field and trees picked out in autumnal colours. Painting has been photographed outside, in front of a whitewashed brick wall.
An unframed oil painting of a mountain landscape with a boulder strewn field and trees picked out in autumnal colours. Painting has been photographed outside, in front of a whitewashed brick wall.
An unframed oil painting of a mountain landscape with a boulder strewn field and trees picked out in autumnal colours. Painting has been photographed outside, in front of a whitewashed brick wall.
Unframed rectangular painting of rough seas breaking on a rocky shore. Painting has been photographed on an easel in the artists studio with a Kodak Colour Control Patch at the top.
Crib Goch against the skyline with vegetation in the foreground picked out in autumnal colours. The painting has been photographed on an easel with a Kodak Colour Control Patch visible in the bottom of the frame.
Close up of an Argentinian stamp issued in June 1968 to celebrate the life of sailor Vito Dumas postmarked Trevelin-Chub[ut]-Argentina with a circular date stamp dated 12 Dec 68.