- Llyfr Ffoto 4694/245.
- Item
- [ca.1995]
Part of Kyffin Williams Archive
Mountains picked out in greens and browns under a pale pink sky.
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Part of Kyffin Williams Archive
Mountains picked out in greens and browns under a pale pink sky.
Part of Kyffin Williams Archive
Unframed rectangular painting of rough seas breaking on a rocky shore. Painting has been photographed on an easel in the artists studio with a Kodak Colour Control Patch at the top.
Part of Kyffin Williams Archive
An unframed oil painting of a mountain landscape with a boulder strewn field and trees picked out in autumnal colours. Painting has been photographed outside, in front of a whitewashed brick wall.
Part of Kyffin Williams Archive
An unframed oil painting of a mountain landscape with a boulder strewn field and trees picked out in autumnal colours. Painting has been photographed outside, in front of a whitewashed brick wall.
Part of Kyffin Williams Archive
An unframed oil painting of a mountain landscape with a boulder strewn field and trees picked out in autumnal colours. Painting has been photographed outside, in front of a whitewashed brick wall.
[Back of Salem Chapel, Bethesda]
Part of Kyffin Williams Archive
The gable end and sidewall of Salem chapel in Carneddi, Bethesda.
Part of Kyffin Williams Archive
A dusty alley with children playing in the middle distance.
[Backyards & Gardens, Holyhead Mountain]
Part of Kyffin Williams Archive
The backs of a row of cottages, possibly at Llaingoch, Holyhead Mountain.
Part of Kyffin Williams Archive
Pencil and watercolour sketches of three badgers.
Part of Kyffin Williams Archive
Three pencil and watercolour sketches of badgers.
Part of Kyffin Williams Archive
A steeply sloping hillside (dotted with boulders and small trees) running top left to bottom right.
Part of Kyffin Williams Archive
The railway bridge spanning the Mawddach estuary as seen from Barmouth.
Part of Kyffin Williams Archive
A barn in the centre of the frame in the middle distance. On the right is a stand of poplars. This is the barn off Avenida John D Evans, Trevelin photographed in 4689/196 & 4689/198. It is also the barn mentioned in 'A Wider Sky' on page 194 "...and so I continued until, one day, I drew onto a canvas an old wooden barn that stood off the Avenida John D Evans. I started to paint and as I did the colours became grey and dull. It was my forty-fifth canvas and I knew the spell was broken. I never painted another picture of Patagonia."
Part of Kyffin Williams Archive
This is the barn off Avenida John D Evans, Trevelin photographed in 4689/196 & 4689/198. It is also the barn mentioned in 'A Wider Sky' on page 194 "...and so I continued until, one day, I drew onto a canvas an old wooden barn that stood off the Avenida John D Evans. I started to paint and as I did the colours became grey and dull. It was my forty-fifth canvas and I knew the spell was broken. I never painted another picture of Patagonia." See also slides 4689/210-211.
[Barn off Avenida John D Evans, Trevelin]
Part of Kyffin Williams Archive
A closer view of a dilapidated barn near Trevelin.This is the barn off Avenida John D Evans, Trevelin photographed in 4689/196 & 4689/198. It is also the barn mentioned in 'A Wider Sky' (Gomer, 1991) on page 194 "...and so I continued until, one day, I drew onto a canvas an old wooden barn that stood off the Avenida John D Evans. I started to paint and as I did the colours became grey and dull. It was my forty-fifth canvas and I knew the spell was broken. I never painted another picture of Patagonia."
[Barn silhouetted against an evening sky]
Part of Kyffin Williams Archive
Small barn silhouetted against an evening sky. Mountains are visible in the distance.
[Barn, Avenida John D Evans, Trevelin]
Part of Kyffin Williams Archive
A bird flies over a desolate looking barn. This is the barn mentioned on page 194 of 'A Wider Sky' (Gomer, 1991) " ...one day I drew onto a canvas an old wooden barn that stood beside the Avenida John D Evans. I started to paint and as I did so the colours became grey and dull. It was my forty-fifth canvas and I knew the spell was broken. I never painted another picture of Patagonia."
Part of Kyffin Williams Archive
The photograph is dominated by a dilapidated barn in the centre of the frame viewed from across a field. On the right is a stand of poplars. This is the barn off Avenida John D Evans, Trevelin photographed in 4689/196 & 4689/198. It is also the barn mentioned in 'A Wider Sky' on page 194 "...and so I continued until, one day, I drew onto a canvas an old wooden barn that stood off the Avenida John D Evans. I started to paint and as I did the colours became grey and dull. It was my forty-fifth canvas and I knew the spell was broken. I never painted another picture of Patagonia."
[Base of cliff, Puerto Madryn]
Part of Kyffin Williams Archive
The base of the cliff where it meets the beach. The limestone has been smoothed and rounded by the actions of the sea.
Part of Kyffin Williams Archive
A painting of a group of children and adults in swimming costumes on a rocky shore.
Williams, Claudia, 1933-