A Dyffryn Camwy headstone carved by Humphrey Williams, Bangor
- Llyfr Ffoto 4689/261.
- Eitem
- 1968.
Rhan oKyffin Williams Archive
1667 canlyniad gyda gwrthrychau digidol Dangos canlyniadau gyda gwrthrychau digidol
A Dyffryn Camwy headstone carved by Humphrey Williams, Bangor
Rhan oKyffin Williams Archive
Rhan oKyffin Williams Archive
A farmer holding a Patagonian conure (Cyanoliseus patagonus) by it's right wing. The farmer is holding a stick in his right hand on which the bird is perched. This may be the incident mentioned on page 148 of 'A Wider Sky' (Gomer1991). See also slide 4689/160.
Rhan oKyffin Williams Archive
A farmer and his dog walking down a steep path with a rickety fence on their left hand side.
[A horse drawn cart, a pig, a dog and a saddled horse]
Rhan oKyffin Williams Archive
Animals milling about in what may be a farmyard.
[A man seated, clutching a gourd and bombilla]
Rhan oKyffin Williams Archive
Light from a window to the left illuminates the sitter. He is a middle aged man sitting on a chair with his right arm resting on a table. A gourd and bombilla are held in his left hand.
[A man standing next to a blue pickup]
Rhan oKyffin Williams Archive
A smartly dressed man stands next to an elderly, but well cared for, blue pickup truck. Capel Nazareth, Drofa Dulog is in the background. This is probably Kenny Evans and his Pontiac, immortalised on pages 154 - 155 of 'A Wider Sky' (Gomer, 1991).
[A mountainous view near Rhyd Ddu I]
Rhan oKyffin Williams Archive
First in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils. Three photos from this sequence appear in an article 'The Heart of the Landscape' in 'The Studio' for April 1962, p132-137. These are credited to Dr Gwilym Wynne-Griffith.
[A mountainous view near Rhyd Ddu II]
Rhan oKyffin Williams Archive
Second in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils. Three photos from this sequence appear in an article 'The Heart of the Landscape' in 'The Studio' for April 1962, p132-137. These are credited to Dr Gwilym Wynne-Griffith.
[A mountainous view near Rhyd Ddu III]
Rhan oKyffin Williams Archive
Third in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils. Three photos from this sequence appear in an article 'The Heart of the Landscape' in 'The Studio' for April 1962, p132-137. These are credited to Dr Gwilym Wynne-Griffith.
[A mountainous view near Rhyd Ddu IV]
Rhan oKyffin Williams Archive
Fourth in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils.
[A mountainous view near Rhyd Ddu IX]
Rhan oKyffin Williams Archive
Ninth in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils.
[A mountainous view near Rhyd Ddu V]
Rhan oKyffin Williams Archive
Fifth in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils.
[A mountainous view near Rhyd Ddu VI]
Rhan oKyffin Williams Archive
Sixth in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils.
[A mountainous view near Rhyd Ddu VII]
Rhan oKyffin Williams Archive
Seventh in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils.
[A mountainous view near Rhyd Ddu VIII]
Rhan oKyffin Williams Archive
Eighth in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils.
[A mountainous view near Rhyd Ddu X]
Rhan oKyffin Williams Archive
Tenth in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils.
[A mountainous view near Rhyd Ddu XI]
Rhan oKyffin Williams Archive
Eleventh in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils.
[A mountainous view near Rhyd Ddu XII]
Rhan oKyffin Williams Archive
Twelfth in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils.
[A mountainous view near Rhyd Ddu XIII]
Rhan oKyffin Williams Archive
Thirteenth in a series of slides showing the progression of a painting refered to as "A mountainous view near Rhyd Ddu." The sequence of images showing how KW starts a painting by sketching a scene and them completing it in oils.
Rhan oKyffin Williams Archive
A thin strip of land at the very bottom of the photograph emphasises the vastness of the empty sky above.